IMMINENT AND EMINENT ECOLOGIES
CURATED BY BRENTON MAART AND LEORA FARBER IN COLLABORATION WITH VIAD
FADA Gallery, Faculty of Art, Design and Architecture building, University of Johannesburg, 17 Bunting Road, Auckland Park, Johannesburg
20 July – 19 August 2023
Imminent and Eminent Ecologies is an exhibition of leading African and international artists who work with the bio-materialities of contemporary life. One thread that weaves throughout the artworks is the entanglement between living and non/living forms, and between the human and more-than-human. A second thread grapples with the effects of cultures and politics on Earth’s well-being. The exhibition advocates that one important component of holistic decolonial practice is to dismantle the artificial boundaries between species, to encourage the emergence of a trans-species democracy whose constitution is premised on what theorist and physicist Karen Barad terms ‘intra-actions’ based on empathy, care and respect.
Co-curated by Leora Farber and Brenton Maart, the exhibition showed the work of Bioart + Design Africa team members, artists-in-residence and research associates, together with invited artists Adam Broomberg and Rafael Gonzalez; Janneke de Lange; Stacy Hardy; Russel Hlongwane, Francois Knoetze and Amy Louise Wilson; Dean Hutton; Bronwyn Katz; Nandipha Mntambo; Miliswa Ndziba; Uriel Orlow; Theresa Schubert; and Louise Westerhout.
The exhibition – presented at UJ’s FADA Gallery, Johannesburg, 2024 by VIAD’s BA+DA programme – was accompanied by a programme of walkabouts, discussions, seminars and a comprehensive catalogue.
We exist as interconnected beings, dependent on other life-forms for nourishment, well-being and community. Contemporary artists are attuned to these intra-actions and forms of entanglement with our more-than-human collaborators. From the microorganisms in our bodies to the depth of the earth’s layers and our shared planetary atmosphere, we exist in an intricate network of symbiotic connections and dynamics.
BA+DA launched in 2023 with the completion of its microbiology laboratory dedicated to the production of bio-art and -design, and an accompanying curated group exhibition that explored the political implications of artworks made with microbial forms. Since then, BA+DA’s specialist focus on microbial ecologies has expanded to include six additional focus areas: Precarious and reparative ecologies; Botanical ecologies; Biomedical ecologies; Material ecologies, Queer ecologies and Afrofuturist ecologies. The work on Imminent and Eminent Ecologies spans these focus areas in an attempt to raise public awareness of urgent environmental and political issues. In so doing, audiences are invited to reimagine our current and future ecologies from decolonial, Africanised perspectives.
The artworks on show foreground the entanglement between living and non/living forms, humans and the more-than-human, and the effect culture has on climate change. The exhibition advocates that holistic decolonial practice can only be manifest through breaking down the artificial boundaries between species, and between the organic and elemental. An important outcome of this is the emergence of a new kind of trans-species democracy composed of multiple materialities − a democracy whose constitution is premised on what theorist and physicist Karen Barad terms ‘intra-actions’ based on empathy, care and respect.
The exhibition is generously supported by the University of Johannesburg Research Committee.



































