THE IMAGINED NEW (OR WHAT HAPPENS WHEN
HISTORY IS A CATASTROPHE?)
VOLUME I: WORKING THROUGH ALTERNATIVE ARCHIVES:
ART, HISTORY, AFRICA AND THE AFRICAN DIASPORA
EDITED BY ANTHONY BOGUES, LEORA FARBER, ZAMANSELE NSELE & SURAFEL WONDIMU ABEBE, 2022
PUBLISHED BY THE VISUAL IDENTITIES IN ART AND DESIGN RESEARCH CENTRE (VIAD), FACULTY OF ART, DESIGN AND ARCHITECTURE,
UNIVERSITY OF JOHANNESBURG & IWALEWA BOOKS, 306 EARLS COURT, KILLARNEY, JOHANNESBURG
ISBN No: 978-3-947902-25-5
๐ต๐ฉ๐ฆ ๐๐ฎ๐ข๐จ๐ช๐ฏ๐ฆ๐ฅ ๐๐ฆ๐ธ (๐ฐ๐ณ, ๐ธ๐ฉ๐ข๐ต ๐ฉ๐ข๐ฑ๐ฑ๐ฆ๐ฏ๐ด ๐ธ๐ฉ๐ฆ๐ฏ ๐๐ช๐ด๐ต๐ฐ๐ณ๐บ ๐ช๐ด ๐ข ๐๐ข๐ต๐ข๐ด๐ต๐ณ๐ฐ๐ฑ๐ฉ๐ฆ) Volume I: Working Through Alternative Archives: Art, History, Africa and the African Diaspora is a collaborative project between the Ruth J. Simmons Center for the Study of Slavery and Justice (CSSJ, Brown University) and the Visual Identities in Art and Design Research Centre (VIAD, University of Johannesburg.
This long-term, three part-project provides an interdisciplinary platform for critical exchange and research around African and African Diasporic art practices and curatorship, and the political work of the radical Black imagination.
With contributions by Leora Farber, Anthony Bogues, Surafel Wondimu Abebe, Nolan Oswald Dennis, Riason Naidoo, Franรงoise Vergรจs, Clรกudia Regina Alves da Rocha, Thomas Lax, Molemo Moiloa, Khwezi Gule, Geri Augusto, Erica Moiah James, Zamansele Nsele, Thabang Monoa and Saidiya Hartman.
