Miliswa approaches architecture as the practice of manifesting the fantasy of persons/people through space-making. Her interests lie in dismantling the continued construction and preservation of spatio-political utopias, through worldbuilding techniques such as Saidiya Hartman’s ‘Critical Fabulation’. Her practice of child-play-as-analogue-modelling redefines methodologies used in the field of geology - such as models and modelling, analogies, experimentations, simulations and spatial visualisations - as child-play. Through child-play-as-analogue-modelling she proposes ways of both mapping site and projecting alternate realities onto site at various scales, through child-play at the intimate scale.
Photo credit: Boitumelo Mazibuko